de la choza  a la losa








project type: artistic research

formats: shortfilm, analog photography, illustrations, texts.

status: work in progress

year: 2021 - present

location: La Rinconada, Imbabura, EC

team: comunidad la rinconada, angelina thierer & nicolás gómez herrera.





De la choza a la losa is an ongoing artistic research project developed in collaboration with the Indigenous community of La Rinconada, in the northern Ecuadorian Andes. It explores how cultural transformations are reflected in the built environment, particularly in the transition from traditional earthen dwellings (“choza”) to modern concrete houses (“losa”). This shift is understood not simply as a change in materials, but as a mirror of broader social, economic, and political processes shaping contemporary life in the Andes.

The project combines ethnographic methods with artistic approaches. Over a period of one year between fieldwork  and reflection, we worked closely with the inhabitants of La Rinconada, conducting interviews, participating in daily life, and accompanying community practices. This collaboration resulted in a diverse archive of testimonies, analog and digital photography, drawings, maps, and more than one hundred hours of audiovisual material.

From this archive, we produced a 20-minute documentary film (de la choza a la losa, 2023), which premiered at EDOC Festival in Quito and has since been presented internationally. The film weaves together first-person voices and images that capture the vitality and complexity of everyday transformations in housing and culture.

Currently, the research is in its final stage: the preparation of a book that will bring together texts, testimonies, illustrations, and photographs. The publication will serve both as an artistic object and as a form of return to the community, offering them a carefully curated record of their own memories and transformations. Beyond documentation, the book aims to open spaces for dialogue between rural and urban contexts, Indigenous and non-Indigenous audiences, questioning simplistic views of “tradition” and celebrating cultural hybridity as a living and creative process.
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